Ajosepo, directed by Kayode Kasum, stands tall as a testament to the Nollywood’s prowess. This comedy-drama has firmly held its place at the summit of the Nigerian box office, captivating audiences and commanding attention since its release.
According to the latest data from the Cinema Exhibitors Association of Nigeria (CEAN), Ajosepo continues to reign supreme. In the week spanning from April 12, 2024, to April 18, 2024, the film amassed a remarkable ₦51.9 million in sales, solidifying its position as a frontrunner in the Nollywood arena. With its total earnings now soaring to ₦79 million, Ajosepo has undoubtedly struck a chord with Nigerian moviegoers.
Ajosepo weaves a captivating narrative around Dapo, portrayed by Mike Afolarin, and Tani, brought to life by Tomike Adeoye, a young couple on the brink of matrimony. Set against the backdrop of a lavish hotel where their families gather for the festivities, the film takes viewers on a rollercoaster of emotions as hidden truths, familial tensions, and unexpected revelations threaten to unravel the joyous occasion.
Featuring a stellar cast including Timini Egbuson, Yemi Solade, and Ronke Oshodi Oke, Ajosepo promises laughter, drama, and poignant moments that resonate with audiences.
While Ajosepo maintains its dominance, Hollywood’s Godzilla X Kong: The New Empire claims the second spot on the box office chart. Despite its formidable presence, with earnings of ₦34.6 million for the previous week and a total of ₦180 million, it falls short of the resounding success enjoyed by Nollywood’s Ajosepo.
Trailing closely behind is the Yoruba epic film Beast of Two Worlds (Ajakaju), which dazzled audiences with its grandeur and storytelling prowess. Although it experienced a slight dip in earnings, from ₦101.2 million in its debut weekend to ₦34.2 million for the specified week, the film has still managed to amass a formidable total of ₦217.2 million.
Further down the roster, Saving Onome, helmed by director Dimeji Ajibola, tugs at heartstrings with its poignant tale of parental love and sacrifice. Garnering ₦8.9 million in the preceding week, the film’s narrative struck a chord with audiences, earning it a respectable position on the box office rankings.
In addition to these standout films, CEAN’s report highlights the diverse array of Nollywood productions captivating audiences across the nation. From the romantic comedy All is Fair in Love, which accrued ₦26,000, to the heartfelt drama Meeting Funmi’s Parents, which garnered ₦86,000, Nollywood continues to showcase its versatility and appeal on the big screen.
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