Anne Hathaway is as famous for her earnest relatability as she is for her Oscar-winning performance in Les Misérables and endlessly quotable turn in The Devil Wears Prada, but—from a fashion perspective, at least—she’s now firmly in her ice-queen era.
While on the press circuit for William Oldroyd’s adaptation of Ottessa Moshfegh’s Eileen, the 41-year-old (and her super-stylist, Erin Walsh) have leaned into an aesthetic reminiscent of the The Lion, The Witch & The Wardrobe’s White Witch (in the best possible way).
Exhibit A: the head-to-toe Des Phemmes look she wore on her way into the Kelly & Mark studio back in November, its white eco-leather embellished with Swarovski crystals. Upping the outfit’s frosty feel: Bulgari jewellery and silver Jimmy Choo sandals (the cold never bothered her anyway).
Incorporating Swarovski crystals and Bulgari jewellery into a single look for a visit to Kelly & Mark…
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…and putting another spin on winter whites later than same day.
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And for an appearance later that same day? Anne shrugged Anna Quan’s Athena blazer over the Australian label’s Paris dress and slipped on a pair of pristine Christian Louboutin heels. Even her Fashion Awards look— a 37-year-old treasure from the Valentino archives—came in a cream colorway that only accentuated the whiteness of her diamond necklace.
Anne Hathaway’s latest winter white coup: another Des Femmes look on December 8, this time in the form of a crystal-studded bustier and skirt, a matching coat shrugged over the top as she entered and exited the Jimmy Fallon studio. It’s fitting, really; if Hathaway has never succumbed to the allure of character dressing, her Elsa-esque looks do chime with the atmosphere of Eileen, set during a frigid Massachusetts winter in the run up to Christmas Day, 1964.
In Des Phemmes for an appearance on Jimmy Fallon…
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…with a white coat shrugged over the top outside the studio.
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The film’s neo-noir’s focus: the blossoming friendship between the titular character (Eileen McKenzie), a desperately lonely, sexually repressed secretary at a boys’ prison, and the reformatory’s new psychiatrist Rebecca (Hathaway), a Harvard graduate given to chainsmoking, downing endless martinis, and… taking the law into her own hands.
It’s not, in other words, A Wonderful Life – but it has given rise to a wonderful promo wardrobe.
This article was originally published by British Vogue.
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