Slash’s “Orgy of the Damned” Album Review

Legendary guitarist Slash is back with a new album, “Orgy of the Damned,” a release that showcases his enduring love for the blues, a passion passed on to him by his late grandmother at a very young age.

Every track on the album radiates a raw, unfiltered passion that echoes the influences of blues greats, most notably the late B.B. King, all while maintaining the unmistakable signature sound that has become Slash ‘s hallmark.

As you start digging into the album, beginning with “The Pusher,” it is clear that you are listening to an intimate glimpse into Slash’s soul, revealing the roots of his musical inspiration, including blues, ’60s British rock, and rock and folk singers like Neil Young, with an authenticity that fans will deeply appreciate.

The album’s impressive roster of guest singers elevates it to another level, creating a dynamic and diverse listening experience. Collaborations with icons like Iggy Pop, Brian Johnson of AC/DC, Pop star Demi Lovato, and Billy F. Gibbons of ZZ Top add unique flavors to each track, showcasing Slash’s versatility and the seamless integration of different vocal styles. Each guest brings their distinctive flair, blending effortlessly with Slash’s masterful guitar work, making for a series of unforgettable performances. The chemistry between Slash and his collaborators is palpable, with each song offering something fresh yet familiar, capturing the essence of rock and blues.

Highlights are songs like “Awful Dream” with Iggy Pop and “Killing Floor” with Brian Johnson, with the latter even featuring Aerosmith’s Steven Tyler on Harmonica.

As expected, Slash‘s guitar work is as electrifying as ever, weaving soulful blues riffs with the ferocious energy of rock. At times, you can feel Slash “singing with his guitar,” and that’s something only virtuosos can do.

The most magical element of this album is its capability to transport the listener into believing they are in a small blues bar, no security, no big crowds, just a small stage in a basement, listening to the greats, like in the good old days.

Overall, “Orgy of the Damned” stands out as Slash’s best work since 2012’s “Apocalyptic Love,” proving that his creative spark is as potent as ever. The album is a testament to his dedication to the craft and his ability to evolve and explore new, uncharted territory for a rockstar like him, while honoring the roots of rock and blues.

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